THIS EVENT HAS UNFORTUNATELY BEEN CANCELLED!!! Margaret Chardiet was born and raised in New York City She has been making power electronics/death industrial music under the name Pharmakon for five years. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen.
She points out that the environment there amongst so many other experimental artists (amongst them Yellow Tears & Haflings) inspired her to keep making increasingly challenging work. She describes her drive to make noise music as something akin to an exorcism where she is able to express, her “deep-seated need/drive/urge/possession to reach other people and make them FEEL something [specifically] in uncomfortable/confrontational ways.”
Unlike other experimental projects, Pharmakon does not improvise when performing or recording. She is concise and exact; each song/movement is linear with a clear trajectory. Perhaps more than any other style of music, noise is a genre almost exclusively dominated by male performers.
Spin Magazine is apt to point out that her,“perfectionism might explain why her recordings are few and far between — a rarity in a scene where noise bros are want to puke out hour after endless hour of stoned basement jams into a limitless stream of limited-edition tapes.
Her music may be as cuddly as a trepanning drill, but it’s also just as precise: She glowers in measured silence as often as she shrieks, and every serrated tone cuts straight to the bone, a carefully calibrated interplay between frequency and resistance.”
The songs on this album were all written and recorded during a turbulent three month time period during which several fundamental life changes forced her to begin living in a completely new way and in a new space. She describes the lyrical themes of this album as being about, “Loss. Losing everything. Relinquishing control. Complete psychic abandon. Blind leaps of faith into the fire, walking out unscathed. Crawling out of the pit.”[vimeo 73402271 w=620&h=300]
Pharmakon is supported by Ketev, a post techno project by Berlin-based sound artist and composer Yair Elazar Glotman, who works with phasing patterns from reel-to-reel tape loops being manipulated by 4-track cassette decks creating roaring textures above slow shifting rhythmic mantras and who has just released his debut on Opal Tapes, as well as by Shaddah Tuum.
Presented by Digital in Berlin. Check out our Facebook page to win tickets.
Kometenmelodien w/ Pharmakon + Ketev + Shaddah Tuum
Tuesday, 27th May 2014 | 20:00 CET
Berghain Kantine | Am Wriezener Bahnhof | 10243 Berlin/Kreuzberg