Galya is an award winning Kazakh/British violinist making her own work as a soloist, improviser and collaborator with artists and composers of varied genres. Bisengalieva will be presenting her debut album ‘Aralkum’ at November’s Kiezsalon. Bisengalieva’s music weaves across genres from folk to ambient, classical to electronic. In a short, yet impressive career, she has has worked with a diverse array of artists, such as Suzanne Ciani, Hildur Guðnadóttir and Actress.
1: An ancient pond
2: a frog jumps in
3: the sound of water
1. What is the biggest inspiration for your music?
My instrument. When you spend your childhood going down such a rabbit hole on the violin the possibilities really do seem endless. Finding new sounds and fresh ways of pushing the boundaries of what’s possible on an acoustic instrument doesn’t get boring.
2. How and when did you get into making music?
I vividly remember learning songs by ear and being inspired by my grandmother’s singing. She had an incredibly beautiful and pure voice and used to sing a lot of traditional Kazakh folk songs. I then started playing the violin at an early age, trying to learn the craft of the instrument and classical repertoire. Later I found joy in improvising, from that point it’s a short leap to composition. I’m glad it happened organically and over a long period of time. I love that I can apply that early inquisitiveness in my violin performance to my compositional practice now.
3. What are 5 of your favourite albums of all time?
Not really possible but things that came to mind are:
Ginette Neveu – Sibelius Violin Concerto
Janine Jansen – Vivaldi: Four Seasons
Laurie Spiegel – The Expanding Universe
George Harrison – All Things Must Pass
Jlin – Black Origami
4. What do you associate with Berlin?
Walking in the summer sun, Aperol Spritz in the park and some of the best music making in the world. There is a creative energy in the air, it feels like a very young, diverse place.
5. What’s your favourite place in your town?
I just moved back to London and have a dedicated studio to write music in, so that is my favourite place at the moment! I’m looking forward to the quick access to great exhibitions, galleries, Independent Cinema and live music.
6. If there was no music in the world, what would you do instead?
That’s a sad thought. I had a chance togo to a ballet school but was really in love with music at the time, I guess if music didn’t exist then I would have taken the place…but then we all would’ve been dancing in silence!
7. What was the last record/music you bought?
Peel by KMRU & Forever Industries by Moor Mother bought on the same day. Bandcamp and Boomkat are my go to places to discover and buy music.
8. Who would you most like to collaborate with?
Living or passed? Tarkovsky, Agnes Martin, Rei Kawakubo.
I love collaborating and have been lucky to have worked with some really special people already.
9. What was your best gig (as performer or spectator)?
I did a solo show at Strelka Institute in Moscow last year, the venue is fantastic and the energy from the audience was electric.
10. How important is technology to your creative process?
The human element really is most important to me, I use technology to simplify my life. In terms of electronics it’s what sounds musical and interesting to the ear, like you’d approach an instrument. Pretty much all of my music starts with an acoustic source, I use technology to push into territory that I just can’t get into through natural means.
11. Do you have siblings and how do they feel about your career/art?
I don’t have siblings.
The music of Galya Bisengalieva is dark and atmospheric. The Kazakh-British composer and violinist centers unyielding drones as she weaves across genres like folk, ambient classical, and electronic music. She released her first two records, EP ONE and EP TWO, on her own NOMAD Music Productions, a label she founded to champion experimental sounds.
This September she will release her debut album ‘”Aralkum” on One Little Independent Records. Galya’s focus on wide expanses of tone suit the album’s subject: the Aral Sea and the desolate landscapes formed from its disastrous shrinking.
An internationally-recognized performer, Galya has played at venues including the Barbican, the Royal Festival Hall, the National Centre for the Performing Arts in Mumbai, Brooklyn Academy of Arts, ACE Theatre, Béla Bartók Concert Hall, Kings Place, Café Oto, Victoria Hall, Teatro Colòn, Strelka Institute and the Paris Philharmonie. Her work as a soloist, improvisor and the leader of the London Contemporary Orchestra has led to features on albums, film soundtracks and TV productions. She is credited on projects including Radiohead’s A Moon Shaped Pool, Frank Ocean’s dual-releases Blonde and Endless and the soundtracks for “Honey Boy”, “You Were Never Really Here”, “The Two Popes” and “Suspiria”. She has also toured key solos for live productions of “Phantom Thread”, “Under the Skin”, “The Piano” and “There Will Be Blood”.
Galya has worked with artists across genres like Moor Mother, Pauline Oliveros, Steve Reich, Suzanne Ciani, Terry Riley, Hildur Guðnadóttir and Actress. Most recently, she has collaborated with the fashion house Alexander McQueen.
As part of NOMAD Music Productions, Galya has commissioned works from composers including Claire M Singer, Emilie Levienaise-Farrouch, Ipek Gorgun, Shiva Feshareki and CHAINES.
Photo © Juste Survilaite