JazzFest Berlin ’09, which takes place this year from November 4th to 8th, is organized around the theme: “Blue Note: 70 years.” Both founders of the renowned jazz label, Alfred Lion (“It Must Schwing!”) and Francis Wolff, were Berlin natives, and both emigrated to the United States in the 1930s.
Francis Wolff photographed the musicians and designed covers for their recordings. On view at Berlin’s Jewish Museum beginning on October 30th is a large selection of these images – an ideal occasion for presenting several choice artists beneath the museum’s glass-topped courtyard, among them Texan pianist Robert Glasper, who made his Blue Note debut in 2005.
With an amazing line-up :
Barry Guy New Orchestra, special guest Elliott Sharp
Deutsches Filmorchester Babelsberg, Leitung: Scott Lawton
Ensemble Denada, Leitung: Helge Sunde
NDR Bigband (feat. Jacky Terrasson)
Samúel Jón Samúelsson Big Band
Curtis Fuller Brasstet
JazzXChange, special guest Edo Zanki
Dizu Plaatjies Ibuyambo Ensemble
Terence Blanchard Quintet
John Scofield Piety Street Band
Mathias Eick Quartet
Paolo Fresu Devil Quartet
Reut Regev R*Time
Arild Andersen Trio
Christof Lauer Trio
Hank Jones Trio + Joe Lovano
Lionel Loueke Trio
MST – Murcof, Talvin Singh, Erik Truffaz
Studnitzky Trio, special guest Hrund Ósk
Tim Garland’s Lighthouse Trio
Vijay Iyer Trio
Yaron Herman Trio
Sheila Jordan – Steve Kuhn
Susanna & the Magical Orchestra
Aaron Parks, just 25 years old, has also recently signed a contract with Blue Note Records. His debut album “Invisible Cinema” was greeted with enthusiasm, and won him inclusion in the elite company of the “New Jazz Visionaries” (JazzTimes).
Love will tear us apart / Susanna and The Magical Orchestra
Among the most celebrated Blue Note artists of the present is the trumpeter/composer Terence Blanchard. He opens JazzFest Berlin ’09 on November 4th with a performance of his “A Tale of God’s Will (A Requiem For Katrina)” accompanied by the Deutsche Filmorchester Babelsberg. Julian Benedikt’s Grammy-nominated film “Blue Note – A Story of Modern Jazz” (1997) will be screened free of charge at a Sunday matinee at the Martin-Gropius-Bau. Other classic Blue Note tinged events include performances by trombonist Curtis Fuller and by Sheila Jordan, the first singer to stand in front of Alfred Lion’s microphones, accompanied by Steve Kuhn, another artist with the celebrated label.
Let’s Face The Music And Dance / Sheila Jordan
Alongside this musical main course, Nils Landgren – the Artistic Director of JazzFest Berlin – has included some additional hors d’oeuvres in the festival menu in keeping to his time-tested motto: “show good music.” Among these is a colorful “smorgasbord” of the Scandinavian bands that have featured so prominently since the beginning of Landgren’s tenure, including the Tingvall Trio, the Ensemble Denada, Mathias Eick, and Arild Andersen.
The jazz of northern Europe finds its counterpart in South Africa’s post-Apartheid generation of musicians: presented at Thursday evening’s concert will be percussionist and famed instructor Dizu Plaatjies and Afro Soul singer Lira.
Murcof, Truffaz, Singh @ Montreux
New Orleans has been a source of constant inspiration For Nils Landgren, and remains close to his heart. Featured besides the above-mentioned opening event featuring Terence Blanchard is John Scofield’s Piety Street Band at the festival’s close, who follow up the Berlin “Schwing” of the preceding days by giving us a taste of their “I’ll fly away” swing.